|
Woman On Pier 13, The / I Married A Communist |
The Woman On Pier 13 / I Married A Communist |
1949 |
USA |
|
Robert Stevenson |
|
Von der Polizei gehetzt |
Crime Wave / The City Is Dark |
1953 |
USA |
|
André De Toth |
|
vierte Mann, Der |
Kansas City Confidential |
1952 |
USA |
|
Phil Karlson |
|
Skandalblatt |
Scandal Sheet |
1952 |
USA |
|
Phil Karlson |
|
Schrei in der Nacht, Ein |
A Cry In The Night |
1956 |
USA |
|
Frank Tuttle |
|
Rechnung ging nicht auf, Die / Killing |
The Killing |
1956 |
USA |
|
Stanley Kubrick |
|
Quite Please, Murder |
Quite Please, Murder |
1942 |
USA |
|
John Francis Larkin |
|
Never Trust a Gambler |
Never Trust a Gambler |
1951 |
USA |
|
Ralph Murphy |
|
Native Son |
Sangre negra |
1951 |
ARG/USA |
|
Pierre Chenal |
|
Mensch verschwindet, Ein / Späte Sühne |
Dead Reckoning |
1947 |
USA |
|
John Cromwell |
|
Lady On A Train |
Lady On A Train |
1945 |
USA |
|
Charles David |
|
Immer jagte er Blondinen |
The Human Jungle |
1954 |
USA |
|
Joseph M. Newman |
|
Heißes Eisen |
The Big Heat |
1953 |
USA |
|
Fritz Lang |
|
Framed / Paula |
Framed |
1947 |
USA |
|
Richard Wallace |
|
Feind im Dunkel / Der weiße Schatten |
The Dark Corner |
1946 |
USA |
|
Henry Hathaway |
|
einsamer Ort, Ein |
In A Lonely Place |
1950 |
USA |
|
Nicholas Ray |
|
Dark Past, The |
The Dark Past |
1948 |
USA |
|
Rudolph Maté |
|
Circumstantial Evidence |
Circumstantial Evidence |
1945 |
USA |
|
John Francis Larkin |
|
Christmas Holiday |
Christmas Holiday |
1944 |
USA |
|
Robert Siodmak |
|
Bodyguard |
Bodyguard |
1948 |
USA |
|
Richard Fleischer |