|
An einem Tag wie jeder andere |
The Desperate Hours |
1955 |
USA |
|
William Wyler |
|
Anklage - Mord |
High Wall |
1947 |
USA |
|
Curtis Bernhardt |
|
Asphalt-Dschungel / Raubmord |
The Asphalt Jungle |
1950 |
USA |
|
John Huston |
|
Auf des Schicksals Schneide |
Edge Of Doom |
1950 |
USA |
|
Mark Robson |
|
Big Caper, The |
The Big Caper |
1957 |
USA |
|
Robert Stevens |
|
Big Shot, The |
Big Shot, The |
1942 |
USA |
|
Lewis Seiler |
|
Circumstantial Evidence |
Circumstantial Evidence |
1945 |
USA |
|
John Francis Larkin |
|
Desert Fury – Liebe gewinnt |
Desert Fury |
1947 |
USA |
|
Lewis Allen |
|
Farm der Gehetzten, Die |
Ramrod |
1947 |
USA |
|
André De Toth |
|
Flucht ohne Ausweg |
Raw Deal |
1948 |
USA |
|
Anthony Mann |
|
Gefährliche Leidenschaft |
Gun Crazy / Deadly Is The Female |
1950 |
USA |
|
Joseph H. Lewis |
|
Hass ist blind, Der |
No Way Out |
1950 |
USA |
|
Joseph L. Mankiewicz |
|
Heißes Pflaster |
Rogue Cop |
1954 |
USA |
|
Roy Rowland |
|
Mensch verschwindet, Ein / Späte Sühne |
Dead Reckoning |
1947 |
USA |
|
John Cromwell |
|
My Favorite Brunette |
My Favorite Brunette |
1947 |
USA |
|
Elliott Nugent |
|
Nachtclub-Lilly |
Road House |
1948 |
USA |
|
Jean Negulesco |
|
Quicksand |
Quicksand |
1950 |
USA |
|
Irving Pichel |
|
Reporter des Satans |
Ace In The Hole / The Big Carnival |
1951 |
USA |
|
Billy Wilder |
|
Scene Of The Crime |
Scene Of The Crime |
1949 |
USA |
|
Roy Rowland |
|
Todeszelle Nr. 5 |
I Wouldn’t Be In Your Shoes |
1948 |
USA |
|
William Nigh |
|
Verfolgt |
Tomorrow Is Another Day |
1951 |
USA |
|
Felix E. Feist |
|
Wendepunkt, Der |
The Turning Point |
1952 |
USA |
|
William Dieterle |
|
Where Danger Lives |
Where Danger Lives |
1950 |
USA |
|
John Farrow |
|
Winchester 73 |
Winchester 73 |
1950 |
USA |
|
Anthony Mann |
|
Zelle R 17 |
Brute Force |
1947 |
USA |
|
Jules Dassin |
